Simply send signal out of your DAW, into the ‘Guitar Input’, through whatever effects or sounds you like, and back out via the ‘Main Out’ into your DAW. The Line 6 also features enough interesting effects that these could easily be printed back into a DAW as reverbs, delays or modulation. You can record through it, using world-class amp sounds and effects, or use it for re-amping after the fact. Not only can you perfect your tones, but you can tweak the layout of your parameters so you can access the adjustments you need more easily.įor when you’re not on stage, the Line 6 can double as a USB recording interface for home. You can really tweak your tones into a unique voice for your own sounds. The amp sounds are that of the HX family and are tweakable to the nth degree, from pre-amp and power amp saturation to tube bias and power sag. There’s also a connection for an extra expression pedal, or alternatively, a place to connect an extra footswitch for two extra stompboxes. Alternatively, the unit can make up your whole rig, where you would use the ‘Main Out’ direct to PA with either mono or stereo capabilities. In addition to stellar amp tones, the Line 6 POD Go can be used as a multi-FX, also featuring an ‘Amp Out’ (that pulls signal before the amp/cab block part of the signal chain) for use with a traditional amplifier.įor those not paying attention, this means you could easily use both amp and cab simulations and a real amp. A large, bright screen will be easily seen from a dark or bright stage alike, the latter sometimes offering less visibility. The POD Go Wireless also features an expression pedal, which can be toggled between either wah or volume pedal, or can be used to control other parameters within your effects. The unit features six stompbox style buttons to toggle between either preset buttons or stompbox buttons via the MODE button, and an independant tuner button. Without going too much into trying to describe how good the long, long, long list of tones and amps sound, clips and sound samples of the HX sounds can be found on the Line 6 website. Specifications wise, it’s important to break the POD Go Wireless into what it really is: three products.Īs an amp modeller, HX sounds are unparalleled. While obviously designed for the stage, the Line 6 POD Go Wireless also acts as a four input, four output audio interface for recording and re-amping through world class sounds. Like a normal amp, it features an effects loop in and out, and if HX’s cabinet models weren’t enough, you can capture your own Impulse Responses and load them into the amp profiles. The POD Go is designed to be as plug-and-play as possible, allowing for tones to be tweaked and dialled on the fly, as well as on first use. Ready to play are Line 6’s professional-grade HX effects, as found on their HX Stomp and Helix models, as well as a long list of classic amp tones at the push of a button. It features Line 6’s award winning amp and cabinet tones, effects and a Line6 G10TII transmitter to pair with the receiver inbuilt into the unit. The new Line 6 POD Go Wireless combines these two designs into one simple, intuitive, floorboard style design. Line 6 is reliable, forward-thinking and accessible for working musicians and hobbyists alike. Some musicians will think of the G-Series wirelesses, now a staple for live bands all over the globe, their battered and road-tested G50 receivers a badge of honour. Read more amp profiler, modelling and cabinet reviews here. You mention the name and instantly people fondly remember the Line 6 PODs, large, kidney-shaped amp modellers that, at the time, we all thought sounded undoubtedly like a real amp. Line 6 is synonymous with a handful of products.
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